Report on National Digital Forum 29 &30th November 2011
held at Te Papa, Wellington
What is NDF? It is a mini conference held each year usually in Wellington. The overall theme is digital projects from within New Zealand and overseas. The conference participants come from Museums, Libraries, Art Galleries, goverment departments and other organisations which are either creating digital projects (big or small) or are planning to. It is a place that is buzzing with ideas and there is much sharing of information. A continuing theme throughout the conference was that of copyright in the digitisation world “we can’t control what people do with digital content – does it matter”.
Michael Lascarides, Web Initiatives, New York Public library
New York Public Library is big – they have 26 million visitors a year, the library has 50 million items spread over 90 libraries and they are currently being threatened with budget cuts of $40 million! So you can imagine that its digital projects are big too. Here are some examples:
NYPL Map Warper: a tool for digitally aligning historical maps to today’s maps
Historic Menus
http://menus.nypl.org/ By digitising old menus so you can study the sort of food available at particular times.
The new user-friendly NYPL catalog will debut in September, but starting on June 20, a test version can be accessed and evaluated by the public (at nypl.bibliocommons.com). Features will include:
- Greatly improved search engine performance
- Personal “shelves” of books and reading lists for users
- The ability to contribute reviews, tags and ratings
- Shared content with the 120 libraries using Bibliocommons (so, for example, a user can read a review of a book from someone in Ottawa or Boston)
- The use Twitter, Facebook, flicker, Foursquare, You tube
Wuseum – a hip hop collection of music, DVDs etc of Wu-Tang clan
Susan Corbett, Victoria University
Collections Online and copyright laws – Is there disconnect
Describes her research of 7 cultural heritage institutions and their digitisation projects – aimed to look at the impact of current copyright law on digitisation and to recommend ways the law could be changed to reflect current practice. The black hole of 20th & 21st century content – problems of finding the authors to ask permission, orphan works. Issues of institutions who have taken over copyright of material which was created more tha 50 years ago, e.g. Nelson Museum. Many digitise material to preserve the originals, and to make them more accessible but once on the web, they can be manipulated in many ways. Her recommendations was, that “Not for Profit” institutions allow multiple copies.
Kate Woodall, Te Papa (recently joined)
Kate previously worked at Historic Royal Palaces in UK. She is particularly interested in how digital media can be exploited to tell different types of stories to particular audiences – so video storytelling, viral games and online film trailers – to enhance a physical visit to say a museum. Also interested in the different learning styles e.g. Linguistic learner, Visual and spatial, Naturalist, Kinaesthetic, Interpersonal etc
http://henryviiidressedtokill.viral-game.co.uk/
http://henryviiheadsandhearts.viral-game.co.uk
http://www.enchantedpalace.org
Lucinda Blaser, Digital Project Manager, National Maritime Museum, UK
Lucinda talked about institutions being afraid to start digitisations projects because their “data” is incomplete or maybe inaccurate or problems with time, money, or work hours. Her solution is to encourage the public to contribute, edit and comment. Recently went into partnership with Wikipedia to compile old weather records taken from 20,000 ship logs from 1500-1970. A great way to track climate change – initially of interest to scientists but also historians and genealogists.
http://en.wikipedia.org/wiki/Wikipedia:WikiProject_Ships
Chris McDowall, Technical Lead, DigitalNZ
Helping to make New Zealand Digital content easy find, share and use
One of Digital NZ annual events is the mix and mash competition.
http://www.mixandmash.org.nz/2011-winners/
Entries contain content which is “borrowed” from many sources to make a new item. e.g.
http://www.mixandmash.org.nz/2011-winners/student-prize—marsden-collegiate/
http://www.mixandmash.org.nz/2011-winners/digital-story/
Andy Neale Digital NZ – The nasty truth about content and data sharing
Talked about digital re-use – people “search and find” in order to use, reproduce, blend , destroy. Digital material is a commodity e.g. Facebook and Flickr. Most people don’t care about copyright.
If material is out of copyright it should be marked as such. If it is in copyright – there are legal ways to obtain and use it. People will use these ways if it is “convenient”
e.g.
Contains old photos from around the world – take a map and “pin” photos on it , digitally. At this site you can search by time or place.
History in the making – creating a Digital Archives of Canterbury Earthquakes
A collaborative project: Jamie Mackay Ministry of Culture & Heritage, James Smithies Canterbury University, Moira Fraser & Ross Becker (Ross Becker Photography), and Guy Field, Christchurch City Libraries
Photos, stories, tweets and texts. Sound images and video creating a living memorial of one of the most significant events in New Zealand history. Much of this ongoing project is at:
http://ketechristchurch.peoplesnetworknz.info/
Social media under Spotlight: Two case studies
New Zealand On screen http://nzonscreen.com
Online showcase of NZ Television, film, music
Real New Zealand Festival http:www.realnzfestival.com
Which ran along side the Rugby World Cup giving all sorts of information around NZ on what was on where – using Twitter and Facebook, blog, 4square and YouTube. Over 100 events which ran from May – Sept 2011.
Cathy Vaughan, December 2011















